San Francisco marked an important moment in Nathan’s journey with film. A new environment and a different quality of light offered a fresh perspective on the way he approached street photography.
Shooting predominantly with a 35mm lens, he quickly developed a strong connection to the focal length. It allowed him to work closer to the scene while still capturing a sense of place, and over time, it became a natural way of seeing.
The light in the city played a key role in shaping the work. Moving through the streets, Nathan was drawn to the contrast, clarity and the way light fell throughout the day. Combined with the slower process of shooting film, it made the experience both focused and enjoyable.
Working in an unfamiliar place brought a renewed sense of awareness. Without routine, each street felt open, and the process became about responding to moments as they unfolded.
Some of Nathan’s favourite film photographs to date came from this period. Not just because of the location, but because of how everything came together. The light, the lens and the process itself.